AtticMag » Antique Cake Stands

House Tour: Virginia Farmhouse Modern

Jane F — Mon, 08 Jun 2009 05:00:08 +0000

Welcome to Day 1 of Marsha's house tour. Marsha and I met almost five years ago when she and her husband Yank were starting construction of their forever farmhouse in Virginia. At the time, my husband Syd and I were starting construction of our forever cottage. We both had chosen plots of land in the woods with water out back, we were going with the same kitchen cabinet brand, and while Marsha’s is a military family, my husband had written about military matters. Marsha had an antique business and I collect antiques. We have always stayed in touch. Marsha’s beautiful kitchen is one of our original group here. But Marsha and Yank’s entire house is so lovely we are thrilled that she is giving us this tour. The bonus is her commentary and generosity in sharing sources for so many things you’ll see today and tomorrow.

"Our house is a farmhouse built in the Virginia vernacular. It is situated on a 1-1/2 acre wooded peninsula surrounded on three sides by a lake. We built the house only one-room deep, so each one has a view of the lake from both sides. The two-story detached garage has Yank’s workshop below and a guest suite above for our married children who visit," Marsha explains. “We worked so hard to find a plan to integrate with the lot,” she adds. Her long, narrow home has a gray hardy-plank exterior and a silvery grey metal roof, 80 windows, and a welcoming American flag at the door.

Furniture throughout the hosue is a mix of antiques with contemporary art. The corner cupboard in the foyer is a ca. 1810 tiger maple piece from North Carolina. During the spring and summer it is filled with colorful Blue Ridge Pottery. In the winter, Marsha changes to Adams holly-trimmed “Winter Scenes” plates. And yes, the foyer was built with the cupboard expressly in mind for that spot. The foyer chandelier (from Period Lighting Fixtures in Ct.) is handmade. The grain–painted long wooden chest holds Marsha’s shelter magazines and the antique Sheraton maple planter is protected by an original metal liner. All the art in Marsha’s home is done by her talented son, the artist Will Corr (willcorr.com) Matching sofas from Calico Corner Furniture, upholstered in country white, frame the living room fireplace. The coffee table is an antique single board table which retains traces of original paint. Small chairs at each end were left over from Marsha’s mom’s nursery school. A child’s jelly cupboard, found in Kansas, sits at the end of the sofa. In the living room, Marsha used Martin Senour’s Medium Shell Light for walls and a sea grass runner from HomeDecorators.com. More of son Will’s artwork graces the mantle along with an antique clock and two iron folk art shooting gallery pigs. (Photo via Portfolio Weekly)

The den, open to the living room, has walls darkened slightly for watching TV with Martin Senour’s Chiswell Gray paint. A 10-foot long French work table holds the TV and stereo, the family’s prized 19th century general store flag display holder, and a large wooden dough bowl. The metal Windsor chair – one of four from the Martha Stewart East Hampton collection – adds a contemporary note (these have been discontinued or Marsha would have added more).

As seen from the kitchen, the expansive family dining room has a 16-foot ceiling, which showcases another Period Lighting Fixture chandy. The 9-foot-long farm table and its antique dark-green-plank Windsor chairs provide ample seating when the family arrives for a visit. The railroad bench – a de facto divider between dining room and kitchen – has a unique back that flips direction if guests want to watch the kitchen in action. Another lovely 19th century corner cupboard (this one from Virginia) holds a collection of Wedgwood “Flying Cloud” china. The circular, 19th century sign hanging from the rafters reads: "B F Wood & Son, Real Estate & Insurance, Justice of the Peace." (Photo via Portfolio Weekly)

Marsha’s kitchen is gorgeous, combining white-painted Plain & Fancy cabinets with edgy gray concrete counters and Euro Gray paint from Sherman Williams. Pottery Barn bar stools provide additional seating at the bar. All appliances are GE Monogram.

A window tucked high up between the exposed ceiling beams casts a column of natural light across the main kitchen workspace. Antique sconces flank a Martha Stewart clock from Kmart. Marsha’s prep sink, in the island, has Kohler’s now classic small Vinnata faucet installed. (For an additional view: Barn-Ceiling Kitchen)

“I have a collection of cake stands, displayed in a 1900s oak bakery cabinet found in Virginia,” Marsha says. “The cake stands are various heights, sizes and patterns and are mixed with a collection of historical glass that depicts and commemorates a historical persons or events. Some are from the 1898 Spanish American War depicting Admiral Dewey. Others celebrate George Washington and Theodore Roosevelt while another shows the completion of the Union Railroad.

This room is part of the office area. There are more Plain & Fancy cupboards for storage and a desk, along with a GE under counter beverage fridge. The antique daybed [below], near the back door, is a great place to nap. Part 2 of Marsha and Yank's house. We'll go upstairs and outside! More House Tours on Atticmag 10 Great Historic Homes

Collecting Antique & Vintage Cake Stands

Jane F — Mon, 08 Jun 2009 05:00:08 +0000

Collecting Antique & Vintage Cake Stands

Jane F — Mon, 08 Jun 2009 05:00:08 +0000

AtticMag » Antique Cake Stands

Jane F — Mon, 08 Jun 2009 05:00:08 +0000

Collecting Antique & Vintage Cake Stands

Jane T — Sun, 22 Mar 2009 05:30:10 +0000

Rare Duncan Three Face Cake Stand. Frosted stem and base. ca. 1878-1886. Source: Seymour Auctions

Seeing Jane F's Beverly Hills Cheesecake recipe post the other day started me thinking about decorative ways to display desserts. One of the very first purchases I ever made, and certainly the most used, is my cake stand. In addition to cakes, I've used my stand for pies, pastries, cookies, fruit and cheese. During the holidays it becomes a pedestal for a striking glass ornament and garland arrangement.

King Arthur pattern glass pedestal cake stand with gold skirting. Duncan and Miller, ca. 1905 Source: All Antique Glass Both photos above: George Duncan & Sons began in 1865 in Pittsburgh PA. John Ernest Miller joined the company as a designer in 1874 with the company incorporating as Duncan & Miller Glass Co in 1900. The artistry of design, the skill of the workers, and the colors of the glass set the company apart from others of the time. The factory remained in production until June 1955.

Pink trellis cake stand, Smith Glass Co. Source: Replacements Ltd. Above: L. E. Smith Glass Company began in 1907 and is known for creating the first headlight lens for the Model T Ford and the original glass mixing bowl. Pink, green, amber, yellow, amethyst and cobalt were being made as early as 1926 followed by a formula for black glass that has remained the most collected in the industry. The company remains in production today.

Vaseline Glass cake stand from Fenton Art Glass ca. 1949 Source: Solvang Antique Center

Above: Fenton Art Glass founded in 1905 by Frank L. Fenton and his brother John W. Fenton. Frank's unusual colors helped to keep Fenton in the forefront of the handmade art glass industry. In late 1907, Fenton introduced "Iridescent" glass, also known as "Carnival" glass. Today the company is still family owned and producing glass known for its beautiful colors and patterns. The vaseline glass shown above is a particular color of yellow-green glass that is made by adding 2% Uranium Dioxide to the ingredients when the glass formula is made.